• All images courtesy of COS

    COS in the Quarry: A Sculptural Spring/Summer 2025 Unveiling in Athens

    Written by Ulrika Lindqvist

    On a night carved from stone and lit by modern elegance, COS presented its Spring/Summer 2025 collection deep within the awe-inspiring Dionyssomarble Quarry in Athens. A location steeped in history—its marble once shaping the Parthenon itself—set the scene for a show that was anything but traditional.

    As dusk fell, a steel staircase emerged from the marble walls like a line sketch on canvas, and models began their descent into the ancient space, looping through the quarry with quiet grace. What unfolded was a visual dialogue between architecture and apparel—35 looks that spoke the language of softness through strength, of timeless design elevated by modern sensibility.

    Among the first to arrive was Adrien Brody, face of COS’s SS25 campaign. Dressed in fluid tailoring that echoed the collection’s architectural elegance. He was joined by an international guest list of cinematic and creative powerhouses: Sharon Stone, Gemma Chan, Georgina Chapman, Jodie Turner-Smith, and Heart Evangelista, each adding a distinct rhythm to the quarry’s ethereal atmosphere.

    The womenswear offered sculptural silhouettes with a Renaissance twist—draped fabrics that revealed and concealed with poetic transparency. Bare shoulders and fluid movement contrasted against the jagged beauty of the stone, while pointed suede mules and knitted sock boots grounded the ethereal looks in urban cool.

    Menswear played with function and form, spotlighting sleeveless tailoring and silk sets, Bermuda shorts elevated to luxury status, and warm-weather leather layered with soft ribbed knits. The marbled print—created from flower buds pressed against a lens—added a painterly touch to the refined palette of earth tones, muted blues, and terracotta.

    More than a collection, this was a conversation between past and future. COS’s signature clean lines and sustainable innovations—including hydroponically grown cotton—met the grandeur of ancient craftsmanship. Every detail, down to the repurposed show set and reforestation partnership with Dionyssomarble, reflected the brand’s evolving vision of responsible elegance.

    As marble met fabric, and tradition met now, COS SS25 in Athens wasn’t just a fashion show. It was a masterstroke in restraint and reinvention—one that left its mark, quietly and permanently.

  • A Dazzling New Chapter in Chanel’s Chance Story: Introducing Chance Eau Splendide

    Written by Jahwanna Berglund

    Just when you think the game is over, Chanel rolls the dice once more and this time, the outcome is splendid.

    The beloved Chance fragrance family welcomes a new addition: Chance Eau Splendide, a radiant scent painted in purple a shade of magic, rebellion, and quiet nobility. It’s the colour of dreams, depth, and daring. Following the energizing green of Eau Fraîche, the tender pink of Eau Tendre, and the fiery orange of Eau Vive, this latest creation takes us into a new dimension: one that’s both playful and profound.

    Crafted by Olivier Polge, Chanel’s In-House Perfumer-Creator, Chance Eau Splendide is a fragrance of paradoxes. It dances between lightness and gravity, flirtation and finesse. A sparkling raspberry accord opens the experience, fresh, crisp, and joyful, before unfolding into a floral heart where rose and violet meet the elegance of rose geranium, partly cultivated in Chanel's very own fields in Grasse. The dry down is where the magic settles: cedarwood and white musk, softened with the powdery sophistication of iris, linger long after first spritz, like an echo of laughter after the curtain has fallen.

    This fragrance is an invitation to take risks. To believe in serendipity. To follow instinct and embrace the unknown. Chance Eau Splendide is the kind of perfume you wear when you want the universe on your side. A spritz on the neck becomes a small ritual of hope, daring, and intention.
    As Olivier Polge reflects, “The original idea behind chance was a state of mind that we interpreted in very different styles… Each chance fragrance is unique, but they all express the same emotion—something very lively and very direct.”

    Chance Eau Splendide embodies that philosophy, and then some. It arrives unannounced, with a mischievous wink and a dazzling energy. It’s the fragrance of those who believe fortune isn’t found, it’s made.
    And for those who dare to seize it, Chance Eau Splendide is a shimmering leap into what’s next.

  • photographer Rasmus Lindahl



     

    A Botanical Dialogue in Clay: Sam Baron on Designing Blossom for Mateus

    Written by Fashion Tales

    When French designer Sam Baron first partnered with Mateus, it marked the beginning of a creative exchange that would blend tradition with experimentation, Scandinavian sensibility with Mediterranean warmth. Now, with the launch of the new Blossom collection, Baron continues his exploration of form, function, and florals, this time through hand-painted ceramics that feel both poetic and refreshingly modern.

    Known for his ability to weave cultural references and craftsmanship into objects with lasting emotional resonance, Baron shares his thoughts on evolving the visual language of Mateus, the inspiration behind Blossom, and why true collaboration always begins with curiosity and conversation.

    Your work often combines traditional craftsmanship with a contemporary aesthetic. How would you describe your design philosophy?
    My creative process often begins with image collages, a method that allows me to bring together visual and conceptual references from various influences to create unexpected connections. These sources may come from specific project research, but mostly from my personal culture, constantly enriched by curiosity and observation. The goal is to find a balance between these inspirations to create something rooted and contemporary, expressing a unique vision for the brand I collaborate with.

    You've worked with some of the world’s leading brands. What draws you to a project, and what makes a collaboration meaningful?
    Of course, the design brief is important. But equally important is the brand’s universe and the people behind it. I love working on projects that explore new territory and allow me to meet people with genuine passion. A meaningful collaboration is about developing a shared language together creating products that reflect that shared space. Creativity is about stepping out of your comfort zone and taking the risk of creating something new.

    Your work with Mateus has led to three collections MSY, Flowers, and now Blossom. How has the relationship developed, and what was your creative vision for Flowers?
    I knew Mateus for its reputation and quality well-respected in the industry. Together with Costas from Yatzer.com, I was invited to design a collection to mark the brand’s 25th anniversary. Since then, I’ve stayed in close contact with Teresa and Filippa, especially since I live in Portugal and we often cross paths at international design fairs.
    With Flowers, the idea was to renew Mateus' aesthetic by blending colors not only across pieces but within individual items. I explored multicolored floral patterns, a universal symbol rooted in all cultures, from rural crafts to royal ornaments. The collection mixes the familiar with a fresh rhythm and vibrant visual compositions.

    Mateus emphasizes hand-painted ceramic work. How did this influence your design process?
    Visiting the factories, I was struck by the commitment to craftsmanship. Every product is created with care and attention. Being a ceramic painter at Mateus means mastering a unique texture while also using artistic skill to make each piece expressive and decorative. We designed the Blossom motif to let each artisan apply it in their own way, preserving a sense of charm, skill, and elegance.

    Teresa Mateus Lundahl often calls you “the neighbor in Portugal.” How has your personal relationship with her influenced the collaboration?
    We’re in constant dialogue and try to meet whenever she’s in Portugal visiting the workshops, her family, or friends. Sometimes it’s a drink in Paris or lunch in Milan during fairs. We often share images or places that might inspire one another along with Filippa’s kids' photos, which Teresa loves to send!

    You previously designed Flowers, and now Blossom is launching. How do the two collections complement each other?
    They’re like chapters in a botanical story, different species and colors that appear with the seasons. The new pieces were designed to mix effortlessly with past collections and Mateus bestsellers. We carefully worked with form and palette to allow for layered, personal tablescapes.

    The hand-painted motif in Blossom resembles lilies. Was that intentional?
    They may look like lilies, but they’re actually not! It’s more a dance of petals, stems, and pistils giving a lively, decorative feel. The blue and green tones on the white glazed surface evoke a fresh, nature-inspired tone. We treated the plates like blank paper painting new, poetic flowers while nodding to classic ceramic wreaths.

    The MSY collection celebrated Mateus’ 25th anniversary. What inspired its design?
    Together with Costas Voyatzis, we wanted to honor Mateus’ DNA: functional ceramics with bold color. Coming from different cultural backgrounds, Greek and French, we sought a universal visual language. Inspired by antique vessels, monastery bowls, and medieval forms, we added texture that feels hand-touched, highlighting light and shadow, and giving the monochrome glazes a new vibrancy.

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