• photography  Sanna Lindberg

    Exploring the Artistry of Ellen Hedin: Where Function Meets

    Written by Astrid Birnbaum by Astrid Birnbaum

    Ellen Hedin, a Swedish furniture designer, goes beyond the boundaries between functionality and artistry through her innovative use of materials and keen eye for contrasts. Ellen's discernible penchant for contrasts manifests in her material selection, underscoring her profound affinity for the natural world. Her oeuvre serves as a conduit for elevating mundane existence into art, extracting the inherent magic permeating our daily lives. Through the infusion of organic elements into her pieces, she beckons viewers to contemplate the intricate interplay between materiality and life itself.

    - I am like a magpie, I collect things that stir something within me. Then the stick, the shell, or the deer skull can lie dormant, waiting for me, until suddenly one morning I wake up with an idea and understand how they fit together and how they should be used. I believe that all materials have an inherent history; it's just about bringing them out, getting them to speak. Wood, steel, and bone can bear the memory of places, processes, and people.

    Ellen intricately weaves together the realms of function and sculpture in her furniture, acknowledging the inherent fusion within the broader artistic landscape. While she strives to create pieces that are either purely sculptural or purely utilitarian, her creations often embody a harmonious synthesis of both domains:

    - My hope is that people can recognize themselves in both a kind of melancholy but also in a romantic, somewhat mystical image of the world in my furniture. Someone once said that my furniture is more like artefacts than furniture, I thought that was a nice description but for me, functionality is also important, I believe it deepens the connection. My furniture is both charged and to some extent also alive, it's direct, both in the design and in the expression,” she shares.

    Through her work, she emphasises the vital role of human interaction, whether her pieces adorn domestic spaces or grace the walls of gallery exhibitions. This emphasis underscores the intrinsic value of functionality in her artistic practice, enriching the viewer's experience with each encounter. One of Ellen's most captivating creations, “Tell,” stands as a testament to her fervent storytelling and material exploration. Drawing inspiration from the rich tapestry of Swedish tradition, particularly the practice of divination with molten tin, this cabinet serves as a vessel for her personal narratives and cherished memories.

    - Tell was born on New Year's Eve a few years ago. We predicted the upcoming year in tin. Naturally, I poured in the most tin and received the biggest prophecy of all. While everyone else was busy analysing their predictions, I had already begun to contemplate how I could use my prickly, fragile, yet also sharp and heavy lump of tin. Sometimes I have an almost childlike delight in certain things; this prophecy felt awe-inspiring, as if it carried a kind of meaning I couldn't grasp.

    Within the intricate design of “Tell,” elements of childhood wonder, familial bond, profound narrative depth:

    - It wasn't until I felled a tree for the first time some months later on my father's farm in Färingsö outside Stockholm that I felt the same sensation again. I then understood that the large log I had felled was connected to the tin casting, that the materials were speaking to each other and were meant to be together.

    Beyond her individual artistic pursuits, Ellen is also an integral part of Mischiefs, where she maintains her studio:

    - Misschiefs has provided me with a sense of community and a studio, which allows me to focus on my artistic work and learn a great deal from all the incredible people in the studio. It's a safe space and a secure environment, which means I don't need to worry as much about what others think or spend so much time trying to fit in,” Ellen shares. “I get to be myself at Mischiefs, and that has made me braver.

    Each artefact crafted by Ellen embodies a unique saga, inviting viewers to embark on a journey through the intricate nexus of materiality, functionality, and artistic ingenuity. Her avant-garde approach to material manipulation and meticulous attention to detail continually push the boundaries of traditional furniture design. In doing so, Ellen blurs the dichotomy between form and function, sculpture and utility, challenging conventions and inviting a reevaluation of the relationship between art and everyday life.

    photography  Sanna Lindberg
  • SERGEI PAVLOV: KAIKU at Design Lab Gallery

    Written by Fashion Tales

    On March 9, 2024, Sergei Pavlov's photo exhibition “Kaiku” (Echo) opens at the Design Lab Gallery in Helsinki.
    Sergei Pavlov is a prominent Finnish photographer, who in his art strives to capture the essence of people, places and experiences drawn from his own life.

    After being impressed by Pavlov's creative expression, Iittala invited the photographer for an artistic collaboration in 2023. Pavlov's portraits are often taken in natural settings and evoke a sense of nature's forces and philosophical principles. Similarly, this has inspired Iittala's work – with nature's flowing water, sunlight and the diverse elements and forms found on Earth. The collaboration reflects Iittala's commitment to working with artists and participating in interdisciplinary art projects to promote cultural dialogue and creativity.

    The collaboration between Iittala and Sergei resulted in a series of evocative photographs, which are now on display in the exhibition “Kaiku”. Pavlov photographs analogously to black and white film, and develops his works in the traditional way in the darkroom. The exhibition shows 12 photographs, including both new and older works from his portfolio.

    About Sergei Pavlov
    Sergei Pavlov (born 1994) discovered his passion for photography already at the age of 14 while working in a local newspaper editorial office in the town of Somero in Finland. Pavlov's photographs have been published in international fashion and culture magazines such as SSAW, Re-Edition, Replica MAN and have been featured online by i-D, AnOther and Wetransfer. In 2021, Sergei won two prizes from the Festival du Hyères Villa Noailles in France, nominated by Dominique Isserman. After the awards, Pavlov's work continued to grow and has since earned him solo exhibitions at the Villa Noailles in France in 2022 and the Museum of Visual Arts Malva in Finland in 2023. In 2024, Pavlov has two solo exhibitions, one at the Arabia & Iittala Design Center Design Lab Gallery in Finland and one at the Biennale Les Itinéraires Graphiques in France.

    www.www.iittala.com

    Image credits: © Sergei Pavlov, courtesy of the artist and Iittala

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