• images courtsy of HUGO

    HUGO x Les Benjamins

    Written by Emelie Bodén by Sandra Myhrberg

    HUGO x Les Benjamins is a vibrant exploration of cultural intersections, where the rich heritage of Istanbul's streets meets HUGO’s self-expressive style,” says Marco Falcioni, SVP of Creative Direction at HUGO BOSS. “This collaboration is more than just a merging of aesthetics; it's a dialogue between traditions, a blend of histories, and a bold statement on the power of fashion to bridge worlds and inspire individuals across the world. Embracing Les Benjamins' unique viewpoint and HUGO's innovative design DNA, we've created a collection that celebrates the spirit of discovery, the joy of creative expression, and the shared journey of interculturality.”

    Q1. At what point did you realize that a career in design was your calling, and was this aspiration always a part of your journey?
    Design was always calling me, but I wasn’t paying attention to the signals. Growing up in Germany as an immigrant child was already a challenge by itself. My Turkish parents did not want me to study fashion design, as any creative study felt limiting to them; they wanted me to have a bright future. At age 21, when I designed my first Les Benjamins collection in university, I realized that I needed to quit and pursue my fashion design journey as a storyteller.

    Q2. What motivated you to establish this brand, and what were the core inspirations that shaped its vision and direction?
    I wanted to give a voice to Eastern youth, and I’m also interested in diaspora. My collection “Herzlich Willkommen” was one of my favorite seasons as it summarized everything from design to storytelling, symbolism, and giving back to my grandparents. Identity is important, but having a globally cultured vision is just as crucial. Every human has the right to live the way they want to live.

    Q3. What drives your ongoing commitment to this brand, and what inspires you to continually innovate and evolve its identity?
    Seeing people hide their identities because they are scared of what others might think drives me. For me, seeing everyone’s identity celebrated and welcomed is richness. My focus is on Eastern youth, meaning Near-East, Middle-East, and Far-East. My wife and I just spent two months in Japan and one and a half months in South Korea. I want to bring the Near-East and Far-East together in conversation with the West. Building a cultural bridge of exchange of Eastern youth culture through arts, craft, music, fashion, and conversations is my goal. This platform will allow other brands, designers, musicians, photographers, and artists to emerge and be seen globally. Seeing someone grow who is part of your community is the most fulfilling feeling in the world. We all win.

    Q4. Given the significance of culture and community to you and your brand, how do you effectively communicate and embed these values within your brand's identity and consumer experience?
    I see this in multiple dimensions. The first dimension is my collections, where people dig into the details and meanings I try to convey in each design. Every season, I try telling a new story inspired by the Wide East. Our followers and community love to explore these details and understand the symbols' meanings. Through seeing us do it, they feel more confident in incorporating their own identity into their music videos or songs. The second dimension is the people we work with. In every campaign, we ensure a good mix of identities that live out the story we're trying to tell. The third dimension is how we present our collections. I love to imagine the world from designing the collection to space and architectural

    Q5. How do you perceive the collaboration with HUGO? Would you consider it a significant milestone in achieving your brand’s objectives?
    Most definitely, it’s a special milestone. It’s the first German fashion brand to ever welcome a Turkish-German immigrant fashion designer to tell his grandparents' story. The HUGO x Les Benjamins collection is inspired by my grandfather and grandmother, who came to Germany as Gastarbeiter in the 1960s. My grandfather, who was a welder, came first. HUGO welcoming me and giving me the freedom to express myself through art and fashion made this moment extra special. This collection pays homage to all Gastarbeiter grandparents. May their memories live on with us forever.

    Q6. What are your future plans for this brand, including any key goals and upcoming projects?
    I’m working on a "100 Year Friendship" collaboration with seven Japanese craftsmen and seven Turkish craftsmen, creating unique objects that will be sold in limited quantities and exhibited in our Les Benjamins flagship store. We also have some surprise guests visiting, and it will be a beautiful cultural moment. Unfortunately, craftsmanship is dying with the rise of AI and isn't receiving the attention it deserves. People are opting for more cost-effective manufactured goods. This special crafts project will be released on September 13th in Istanbul.

  • image courtesy of Hermès

    Hermès Opens New Workshop in Gironde

    Written by Fashion Tales

    HERMÈS LAYS THE FIRST STONE FOR THE MAROQUINERIE DE LOUPES LEATHER GOODS WORKSHOP IN GIRONDE AND REAFFIRMS ITS COMMITMENT TO CREATING LONG-TERM JOBS AND TRANSMITTING EXCEPTIONAL KNOW-HOW IN THE NOUVELLE-AQUITAINE REGION

    Located in the town of Loupes (Gironde), this new manufacture – Hermès’ twenty-fifth leather goods workshop in France – will open in 2026, ultimately employing 260 artisans trained in the house’s exceptional know-how. The Maroquinerie de Loupes will be Hermès’ second production site in Gironde, following the opening of the workshop in Saint-Vincent-de-Paul in September 2021.

    A boost for employment and training with strong local anchoring
    The Gironde hub will enable artisans to pass on the culture of the saddlery and leather goods métier and the house’s know-how. At the École Hermès des savoir-faire, an apprentice training centre accredited by the French Ministry of Education and rolled out in the Gironde hub in 2023, Hermès artisan trainers teach the techniques of leatherworking excellence. As Ministry-certified assessors, they award the French vocational CAP qualification in leatherworking and the CQP (certificate for professional qualification) in cutting and stitching.

    For its recruitment needs, Hermès is working with local partners such as France Travail Nouvelle-Aquitaine, as well as the GRETA-CFA Aquitaine adult education service, and the Charles Péguy high school in Eysines.
    The next intake will start their training in October 2024, for which applications are currently open on the École Hermès des savoir-faire website (https://ecole.hermes.com/).

    Anchored in Nouvelle-Aquitaine for the long term
    Hermès has strong roots in the region, with the Ganterie-Maroquinerie de Saint-Junien gloves and leather goods workshop (Haute-Vienne), and the Maroquineries de Nontron (Dordogne), Montbron (Charente), Saint-Vincent-de-Paul (Gironde) and soon, L’Isle d'Espagnac (Charente), which will open in 2025. The new Maroquinerie de Loupes will become Hermès Leather Goods and Saddlery’s sixth production site in Nouvelle-Aquitaine.

    The house is strengthening its role as a socially responsible company, creating high-quality jobs and reaffirming its intention to make a sustainable contribution to regional development across France.
    To establish this new manufacturing site, Hermès worked with the Communauté de Communes du Créonnais and the Sysdau, a mixed syndicate in charge of l'Aire Métropolitaine Bordelaise local authority.

    Architecture suited to its natural environment
    The design and construction of the workshop was entrusted to the architecture firm Patrick Arotcharen Architecte, which designed the first workshop in Gironde, the Maroquinerie de Guyenne (Saint-Vincent-de-Paul).

    The new building will be set in naturally wooded grounds. To blend in with the site's vegetation, the workshop will have curvilinear lines with a cut-out profile that follows the natural shape of the land and the position of the existing trees.
    The water reservoir, car park and workshop itself will be built one above the other to limit the use of undeveloped land.
    Hermès is working with an ecologist to meet the challenges of preserving and developing the site’s biodiversity.
    The new workshop’s foundations will be made of low-carbon concrete and its structure will be in wood and bio-sourced materials.

    To limit its energy footprint, the site will be equipped with rooftop solar panels and underground geothermal probes. Rainwater recovery will cover 70% of the building’s needs. In line with the Hermès Group’s environmental ambitions, the finished workshop will be a positive energy building and will comply with the Harmonie framework, the house’s guidelines for sustainable real estate.

  • image courtesy of Zalando

    Zalando Teams up With Miista to Launch an Exclusive Footwear Capsule Collection in Collaboration With Fernanda Liberti

    Written by Fashion Tales

    Zalando, launches its new exclusive footwear-capsule collection by the it-brand, Miista. The capsule collection includes five unique pieces in total, ranging from clocks and sandals to three different ankle boots, all of which will be exclusively available at Zalando from June 26th, 2024.


    As early summer breathes new life into the city, we witness it transform into a tapestry of vibrant hues and textures, embodying the essence of Miista’s designs. Through the lens of architectural beauty, Zalando invited Miista’s good friend, Brazilian photographer and model Fernanda Liberti to capture this magic.
    Along with local Danish muse Ash, Liberti uses the urban backdrop as their canvas, playfully exploring the hidden pockets of the city. Every street corner and architectural detail tells a story, fostering connections with each other and the surroundings, and uncovering beauty in the unexpected. It's about experiencing the city in a way that breaks free from mundane routines and embraces a life that is uncompromising, playful and full of endless possibilities that transformation brings.
    The fashion campaign was shot in Copenhagen and created in collaboration with the Danish creative agency Malling. The collection will be available on Zalando in all 25 European markets.

    This capsule collection is an extension of our partnership with Miista, strengthening our connection with modern luxury consumers by presenting an exclusive product from a respected UK brand. With our unique approach to the designer category, we bring luxury fashion inspiration to our customers and connect them with our brand partners through a personal experience. Our collaboration with Miista embodies this direction, merging the brand’s creative brilliance with our distinctive and inspiration Designer shopping experience for the new generation of luxury consumers”.  - Says Lena-Sophie Röper - DIRECTOR DESIGNER & LUXURY, ZALANDO in a pressrelease. 

    We believe in an artisan handmade approach, and in investing in people over machines. That way we can ensure that every stage of the garment and shoe-making process is made according to handmade methods.” - Lauren Willasenin - FOUNDER & CREATIVE DIRECTOR, Miista

    In an exclusive interview with Zalando, founder and creative director Lauren Willasenin shares insights about the process and the exciting collaboration with Zalando.

    What does the creative process look like?
    It’s ever-evolving, and now it feels more 360 than ever. MIISTA has always had a depth that went beyond the products we handmade; it was a juxtaposition of conversations that informed the design and then filled our brain cells with storytelling ideas as we became more and more acquainted with the research topic each season. When the collection finally sees the light, we have in parallel worked and collaborated with creatives to open a conversation around the same topic from different points of view. For instance, SS24 is the second installment of creative research on the theme of TRANSFORMATION. We contextualized the word in the final part of the last century in Latin America, and the movements of queer performers and the audiences that interacted to change the societal perception of their craft and art during a moment of severe dictatorship. We have recently decided that these explorations would require us to dedicate two consecutive seasons to unpack and pay tribute to those from whom we draw inspiration to design, source the materials, prototype by hand, and go to market. All of this is very interactive and collaborative with our group of artisans with whom we work in the clothing and footwear factories in Spain and Portugal.

    Where was your head at while you were designing this collection? What movie storyline was happening in your mind? Who was your muse?
    Every Miista collection is rooted in the story of one remarkable individual. For our SS24 line, that starting point was the courageous spirit of photographer Madalena Schwartz. The middle-aged mother-of-two had spent most of her adult life running a laundromat in the centre of São Paulo – not exactly the traditional path to becoming a generation-defining counterculture photographer. But as she approached her 50th birthday, Madalena picked up a camera and began her second act, transforming her life and legacy in the process.

    The photographer started by focusing her lens on local cabaret acts and the cross-dressers she’d meet during her walk to work. Later, she shot members of the Dzi Croquettes, the radically progressive theatre troupe that represented everything Brazil’s conservative government was trying so hard to repress.

    Can you walk us through the concept of transformation that inspired this capsule collection? What does transformation mean to you?
    I've always been fascinated by the word “change” and its varied interpretations across time and place. One universal truth we all share is the sense that the world is in constant flux—never static. This dynamism touches everything: society, identity, climate, culture, fashion—they all continuously shift and evolve. Sometimes these changes are driven by external forces; other times, they emerge from within. Change can be daunting, yet it also holds tremendous potential—empowering us as we adapt our perceptions, practices, and personalities to align with our evolving world. We are undeniably living in transformative times, much like every generation before us has experienced.

    How did you achieve the metamorphic elements in the footwear, where materials transition from one colour to another?
    We believe in an artisan hand-made approach, and in investing in people over machines. That way we can ensure that every stage of the garment and shoe-making process is made according to handmade methods. From here, we can experiment, and the transformation of materials. We wanted to give this collection of pieces metamorphic features. You could observe and sense how the materials had evolved from one stage to another, but keeping a piece of the original, the raw. It’s the case of hand-painted degradé effects in the leather, converting the vegetable-tanned skins from one colour to another. Or in the case of clothing, the elusive swirling patterns in the silk pieces, and the promise that every single piece is unique.

    Why did you partner with Zalando on this project?
    Zalando is to us a good friend, who respects our own creativity and ideas, while also pushing our boundaries to bring something even fresher to the table. Plus they introduce us to new people we wouldn’t cross paths with otherwise.

    Tell us about your relationship with photographer and model, Fernanda Liberti.
    We met Fernanda in London some years ago and reconnected just as we were working on designing SS24 and about to launch the AW23 season. We shared the story of Madalena Schwartz and the references to Brazilian theatre groups in the 70s, and together we felt Fernanda might well be Madalena’s spiritual successor. Unafraid to step out of her comfort zone and push creative boundaries while pouring all her passion into her art, she was born of Syrian descent and grew up in Rio. The connections to the story we were unpacking were endless. So we decided to work on an almost year-long project to highlight the experiences of the LGBTQ+ community, people of color, and other underrepresented creative groups. Our first work together happened in Barcelona in September 2023. Then she travelled to Rio, and we commissioned a shoot during Carnival in Rio, which ended with packing a couple of suitcases and shooting for a week in the streets of the metropolis, as well as doing a special project with Brazilian singer Candy Mel, a very important face and voice for today's transgender community.

    What exciting projects do you have in the pipeline?
    We have kept it on the down low, and it’s now the official countdown. We’re opening a permanent space in New York, in the Lower East Side. We are secretly planning to make the opposite of a regular store. Having a space in the home of a community we relate so much to, we respect so much it’s something we’ve dreamt of for soooo many years, and we’ve been angry about not being able to do so for as many. We are going to be hosting a whole load of get-togethers: gigs, workshops, panel discussions, styling sessions…

    What are you most passionate about when you’re not at work?
    Continue building parts of my London home to create a feeling of familiarity, closer to the house I grew up in Galicia, the North of Spain.

    The exclusive capsule collection includes five unique pieces in total, ranging from clocks and sandals to three different ankle boots. Laura Villasenin, Founder and Head of Design at Miista, drew inspiration for the pieces from the concept of transformation. She believes that through metamorphosis, something new and vibrant can emerge. This is why the pieces feature metaphoric elements: materials, seamlessly transition from one colour to another, like elixirs undergoing new and unexplored transformations.

    ABOUT LAURA VILLASENIN
    In 2010, Laura Villasenin established MIISTA in East London to bring back an artisan hand-made approach to shoemaking and update it with radical design. Crafting from high-quality European materials, Laura aimed to create shoes that were original, experimented with texture and shape, and importantly, had a democratic price point for a luxury item.

    Having grown up in the North of Spain, an area with a history of fashion production dating back to 19th Century artisans who handmade linens, Laura was brought up with the belief that you should shop less and make your belongings last for longer. In 2020, Laura transformed MIISTA into a project that could also design and craft luxury investment clothing that one could own and wear forever.
    She opened a MIISTA own factory in the same region she grew up in, ensuring that every stage of the garment-making process is made according to handmade methods. Now, 14 years later, Laura continues to evolve MIISTA under the foundations of a Short Supply Chain in Fashion, splitting her working hours between MIISTA clothing factory, Footwear partners, and her creative office in London. MIISTA is now about to open a Store in New York, having already a physical presence in Paris, London, and Barcelona.

    ABOUT ZALANDO
    Founded in Berlin in 2008, Zalando is building the leading pan-European ecosystem for fashion and lifestyle e-commerce around two growth vectors: Business-to-Consumer (B2C) and Business-to-Business (B2B). In B2C, we offer an inspiring and quality multi-brand shopping experience for fashion and lifestyle products to about 50 million active customers in 25 markets. In B2B, we are using our logistic infrastructure, software and service capabilities to help brands and retailers run and scale their entire e-commerce business, on or off Zalando. As an ecosystem, Zalando aims to enable positive change for the fashion and lifestyle industry.

    www.zalando.com

    image courtesy of Zalando
    image courtesy of Zalando
    image courtesy of Zalando
  • image courtesy of GRAY

    photography Alex Katz, Autumn 17, 2023

    OPENING TOMORROW Alex Katz: Seasons at MoMA

    Written by Art Editor

    Every three months, everything looks different. I’m trying to get at that. I don’t want the painting to be like a static image of reality… - Alex Katz, MoMA Magazine, July 2, 2024

    Alex Katz: Seasons celebrates the artist’s ever-evolving approach to painting what he terms the “immediate present” of the natural world. Katz begins his process with photographs and small painted sketches which he transforms into large-scale, immersive compositions. In many instances, Katz removes the horizon, allowing the expanse of the painting to create an environment with no clear beginning or end.

    The four monumental paintings featured in Alex Katz: Seasons chronicle the changing of the artist's environment over a calendar year. These works belong to four suites of paintings titled for each season that were created by Alex Katz in his New York studio from 2022 - 2023.

    The Museum of Modern Art
    New York, NY
    Jul 4 - Sep 8, 2024

  • image courtesy of Michael Kors

    Michael Kors Debuts New Store Concept in Stockholm, Sweden

    Written by Fashion Tales

    Michael Kors is pleased to announce the opening of its newly designed and expanded Michael Kors Lifestyle store in the Westfield Mall of Scandinavia in Stockholm, Sweden, this June. The store’s transformation reflects the brand’s new store design concept, with a focus on pared-down luxury and sophisticated glamour.

    The 3,360-square-foot store will carry a luxe selection of MICHAEL Michael Kors fashion and accessories, including handbags, ready-to-wear, small leather goods and footwear, as well as watches, jewelry and eyewear. The store will also carry a broad assortment of leather goods, ready-to-wear, footwear and small leather goods from the Michael Kors Mens label.

    The new Michael Kors store concept reflects the brand’s commitment to laid-back luxury, with an emphasis on ease and sophistication. Customers are welcomed into an atmosphere warmed by soft neutral tones, residential décor cues and an open, airy ambience enhanced by floating shelves and vivid light. The setting invites customers to browse, shop and enjoy the brand’s exceptional personal styling and service.

    Interior design elements include hand-troweled plaster finishes and a refined spectrum of material choices including warm oak wood flooring, glossed black and white marble, and brushed nickel fixtures. A palette of warm whites and soft beiges is paired with textural accents and tactile fabrics that complement Michael Kors’ luxurious take on glamour.

    MON-SUN: 10:00-21:00

  • image courtesy of Picture This Gallery

    photography Ewa Stackelberg, Fotogram nr18, 2016, 188x140cm

    Picture This Gallery

    Written by Art Editor

    The summer's big exhibition UNTITLED NATURE at Picture This Gallery shows 23 Swedish photographers who in their work relate to nature in one way or another imaging.

    When 23 of Sweden's leading photographers gather around the theme, we land far from traditional nature photography. The exhibition is not about nature as a motif but as a projection surface or approach. Some photographers start from their own nature, others work against nature, because some are nature a fund, a statement, or a condition.

    Nature is one of the most common motifs in photography and not infrequently one of the most boring. We wanted to challenge that. The result is an exhibition where we have selected 23 photographers who use nature in their images in widely different ways. The expressions span both that aesthetic and the political, conscious identity or free intuition, says Johan Lindskog, creative director at Picture This Gallery.


    Why is Picture This Gallery doing this exhibition?
    We are Scandinavia's foremost gallery for photography and exhibit many international ones artists. This time we wanted to dig where we stand and highlight the very best the Swedish photographers. Modern photography has a strong position in Sweden and a large one artistic and commercial potential. We wanted to show it, says Pelle Höglund, gallery manager at Picture This Gallery.

    Are there only female photographers in the exhibition? Why?
    When we started looking at which photographers we wanted to invite to the exhibition, it showed it turns out that the ones we thought related the most interestingly to the theme simply were women. You can think about why it was like that, what significance it has for the result. It will be an open question in the exhibition, says Johan Lindskog.

    PARTICIPATING ARTISTS

    Aida Chehrehgosha
    Anna Riwkin
    Ann Eringstam
    Anna Clarén
    Annika Holmér
    Camilla Åkrans
    Cecilia Edefalk
    Denise Grünstein
    Eva Klasson
    Ewa Stackelberg
    Ewa-Mari Johansson
    Helena Blomqvist
    Julia Hetta
    Karolina Henke
    Lena Granefelt
    Lisen Stibek
    Maria Friberg
    Maria Miesenberger
    Martina Hoogland-Ivanow
    Tova Mozard
    Trinidad Carrillo
    Tuija Lindström
    Åsa Sjöström

    PICTURE THIS GALLERYST PAULSGATAN 29 – 118 48 STOCKHOLM – 0707-411 400

    WED-FRI: 12:00-17:00 SAT: 12:00-16:00

    image courtesy of Picture This Gallery

    photography Ewa-Mari Johansson, Tree of Life, The Tree

    image courtesy of Picture This Gallery

    photography Trinidad Carillo_Untitled_2007

    image courtesy of Picture This Gallery

    photography Annika Holmér, HwalerWalesWale, 70x70cm

    image courtesy of Picture This Gallery

    photography Aida Cherehgosha, Was Still Too Late, 2011, 122x155cm

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